Soap.
Tide, THE detergent of my youth, has a great commercial series going on now.
Tide, THE detergent of my youth, has a great commercial series going on now.
My dad was a country boy in Misourri, growing up in the 1940s ,who had to wear cover-alls too school. He hated it. And remains a very snazzy dresser to this day. This post is not about those little bibbed britches, actually. But rather, song covers.
That term can make a lot of people cringe with horror like fingernails on a blackboard. And usually, whenever some one “covers,” a song, or sings something that once “belonged” rightfully to another artist, I tend to think, “Why? Why are you doing that?” It was already an amazing song, done amazingly by some amazing artist I love {and am amazed by, it would seem}.
But honestly? There are great covers out there and the best, I think, are done well because the bands re-recording a tune respects the song so much and loves it for what was originally done with it – that they are able to communicate it really well. I actually want to BE a cover band, for my next job. **big, goofy, smile**
I still really adore Mariah Carey’s version of the Jackson Five’s, “I’ll Be There.” Just the other day, Blake (“Some Beach) Shelton released his cover of Kenny Loggin’s 1980s version of “Footloose,” and it is a respectful, countrified, get-up-and-dance version. I like it. The video is mostly fun, but a little too much dirty-dancing for me to post it here (this is a family blog, people), but the song is good. Great cover.
“Close to You,” by the Carpenters is simply classic and part of the soundtrack of my very life, almost too precious to communicate. Great (Bacharach) tune that it is, it has been covered a gazillion-million times and though I usually, absolutely dismiss any attempts at the re-do, there are a few artists who have given me such an interesting rendition, that I have come to appreciate why anyone ever attempts it at all. It is just a great song. And the live Barbara Streisand and Burt-the-Bacharach-himself version in 1971 are an interesting watch. And I must admit truly loving Mario Biondi’s raspy, deep, jazzy version. It is well interpreted. He knows why, ya know? And he respects the song.
Though I was city born and raised (if Des Moines can be considered a real “city”), my heart that craves the “Boondocks,” which was a grand hit for Little Big Town a few years back. Felt like listening to it the other day and found out that this band that feeds my country-boondocks-slightly-bluegrass periodic-craving has done a bunch of great covers. They’ve done their original stuff with harmonies I love to get lost in, harmonies that harken back to the likes of the Starlight Vocal Band (“Afternoon Delight”) and so many family sing-a-longs in my youth. They are not hacks. They’ve earned the right to cover songs they love. And here is my favorite find!
“Have some respect for your director!”
Which turned out w a a a a a y better than they should have for my little $69.99 Kodak digital camera.
Check out this weed. This was in the mountains when Dave and I were there a few weeks back. It was getting ready to spread its’ seed everywhere. I just like how it captured the almost explosive-movement. No touch-ups. Just this. As weeds go, pretty lovely.
And then these two. With really good cameras you can adjust the focus so that the things you aren’t focusing on are blurry, out-of-focus. I do not have that option. But my camera, for some strange reason. did that anyway. I think I may have been zoomed, I am not sure. But I love how it blurred the background. These are not touched up. If I’d known I’d stumbled into something, I’d have tried more of whatever it was. *smile
Look at that crazy-awesome background blur.
I LOVE corn on the cob. Did you know that? Love it. It is the Iowa girl in me.
Remember when we were kids and adults made us smile for pictures when the sun was totally in our eyes? Yeah, well, now I have done that to my own grandbebes. I just thought they should experience it. Haha.
Little tiny Amelie walloped her cousin, Gavin, the other day and when her daddy said, “Amelie-no hitting,” she crossed her arms and lowered her shoulders with a decided **harrumph** and plopped herself down. It is hilarious thing to see such an itty-bitty pull such a big-girl move. It probably won’t be that cute 6 months from now, but it sure was this week.
Engagement to her cute guy? Check. Amazing ring? Check. Location for the wedding (a barn!!)? Check. Dress? Check.
I should mention, I had just dropped the green beans into boiling water for 10 seconds and then quickly submerged them into ice water to shock them green-green and make them positively delectable for random all-day-long munching. Mmm. Mm. Mm!
You’re just going along, enjoying summer living, and then the veins of the leaves go blood red and begin pumping color into a random branch here or there. Fascinating!
I love late night Frazier reruns.
He gets a call. It is a young mom and wife and you can hear the kids crying and yelling and the dog barking and she is breathlessly trying to express her frustration at the lack of time she and her husband are able to find for romance. She pleads for advice on how they can find time for sex again and even says she is getting so desperate she may have to find a stranger at the store.
Frazier’s {very good} advice:
Sex with a stranger is not the answer.
Why don’t you just pack the kids off with Nanna and Pop-Pop.
Lock Lucky downstairs in the basement.
Grab your husband – take him to the sturdiest kitchen table you have.
And. let. the. postman ring twice.
“NO! I did not and I insist on a second chance!”
I have a lot of Glen on my iTunes. He has sung some of the greatest songs of all time. The kind where the melody and the words flow just right – and hit you straight in the heart. Yeah those. Like, “By the Time I Get to Phoenix,” and “Country Boy (You’ve got your Feet in LA),” “Carolina in My Mind.” He sang about a lot of places on the map. “Try a Little Kindness.” There were the days of “Southern Nights” and “Rhinestone Cowboy.” And I like his versions of “Let it Be Me,” and “Little Green Apples.” Oh, oh, oh – “Honey, Come Back” !!!
Oh, and then there is “Where’s the Playground, Susie?” sniff, sniff
But what happens when we live God’s way? He brings gifts into our lives, much the same way that fruit appears in an orchard—things like affection for others, exuberance about life, serenity. We develop a willingness to stick with things, a sense of compassion in the heart, and a conviction that a basic holiness permeates things and people. We find ourselves involved in loyal commitments, not needing to force our way in life, able to marshal and direct our energies wisely.
Since this is the kind of life we have chosen, the life of the Spirit, let us make sure that we do not just hold it as an idea in our heads or a sentiment in our hearts, but work out its implications in every detail of our lives. That means we will not compare ourselves with each other as if one of us were better and another worse. We have far more interesting things to do with our lives. Each of us is an original.
Scripture references: 2 Timothy 3 and Galatians 5, The Message
FOUND IN DRAFTS FOLDER FROM NOVEMBER 2009
I have mentioned my interest in slam poetry before. I am not the demographic for it, an unusual fan, certainly. Yet I am impressed, moved, by the talent in the thought-provoking stringing-together-of-words by these young artist/performers. There is a bold-word Paul-like quality, just speaking straight from and to the guts.
Recently Tredessa and I have been talking about art and literature and music and how we find glimpses of the one true God popping up even where people would be shocked to find Him. Like He did that day at the well.
This particular YouTube example is pretty straightforward-from-the-Christian-biblical viewpoint.
And here is Levi-he-Poet at Heaven Fest.
But I have found Him in songs, in movies, in books that aren’t Christian bookstore fare. I have heard Him in stories and wordless music, too.
God is still writing on the walls of this wicked and secular generation. I believe it. And we are the Daniels interpreting the signs and symbols that point the way out of darkness and into light. When we see Jesus in a movie, find Him in a deep spiritual meaning in some story or His grace depicted by fictional characters, maybe even when we hear a song by a known “sinner” that touches something deep inside – are we too closed off to believe that God is able and IS speaking to the world today through every available means? Do we think the only chance people have to hear from the God of the Universe is in our church building-boxes on Sunday morning or via Christian TV?
Hey, God spoke through an ass (Numbers 22). I think He can use the arts. Maybe even you and me.
If only I could learn to do the same…
“A man can no more diminish God’s glory by refusing to worship Him than a lunatic can put out the sun by scribbling the word, ‘darkness’ on the walls of his cell.”
“I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.”
He speaks to everyone, to every human being on the face of the earth, by both general and specific revelation.
Creation testifies about the Creator. The heavens declare His glory. And whether we choose to igore them or not, our very consciences are God speaking into our awarenesses, His voice direct to something deep inside. He speaks in the church and to the church. He speaks through His Word. He speaks through the Holy Spirit and through Godly people who bear His image. By their example and words and prayer, we hear Him and are marked for life. And sometimes, He speaks to me in a still, small voice, so direct the wind is nearly knocked from my lungs. It even happened at a movie once.
Are we listening?